{"id":6949,"date":"2026-07-03T09:25:27","date_gmt":"2026-07-03T07:25:27","guid":{"rendered":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/?p=6949"},"modified":"2026-07-03T09:35:33","modified_gmt":"2026-07-03T07:35:33","slug":"stredoeuropske-pohlady-2026-1","status":"publish","type":"post","link":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/?p=6949","title":{"rendered":"Stredoeur\u00f3pske poh\u013eady 2026\/1"},"content":{"rendered":"

VIII. ro\u010dn\u00edk, 1. \u010d\u00edslo, 2026 \u2022 Volume VIII., Issue 1, 2026<\/strong><\/p>\n

Vonkaj\u0161ia ob\u00e1lka \u25cf Cover<\/a>
\nVn\u00fatorn\u00e1 ob\u00e1lka \u25cf Musthead<\/a><\/p>\n

Obsah \u25cf Content<\/strong><\/h1>\n

\u010cesk\u00e1 a slovensk\u00e1 literat\u00fara s vojnovou tematikou (editori\u00e1l) \u25cf Czech and Slovak Literature on War Themes (Editorial)<\/strong><\/a>
\nMilo\u0161 Zelenka<\/em>
\nx-y<\/p>\n

V\u00e1lka, m\u00edr, hrozba a ir\u00e9nismus jako poetologick\u00e9 faktory \u25cf War, Peace, Threat and Irenism as Poetological Factors<\/strong><\/a>
\nIvo Posp\u00ed\u0161il<\/em>
\nx-y<\/p>\n

The Authenticity of War Themes in Literature and Film \u25cf Autenticita vojnovej tematiky v literat\u00fare a vo filme<\/strong><\/a>
\nTibor \u017dilka<\/em>
\nx-y<\/p>\n

Spolo\u010dn\u00e9 dejiny a spolo\u010dn\u00e1 Eur\u00f3pa: L\u00edza ako franc\u00fazsko-slovensk\u00e1 hrdinka odboja v transnacion\u00e1lnom priestore \u25cf Shared History and Shared Europe: Lisa as a French-Slovak Resistance Heroine in a Transnational Space<\/strong><\/a>
\nM\u00e1ria Huraj Ro\u0161tekov\u00e1 \u2013 Peter Terem<\/em>
\nx-y<\/p>\n

Estetizace zla: Reinhard Heydrich ve filmu a literatu\u0159e \u25cf Aestheticization of Evil: Reinhard Heydrich in Film and Literature<\/strong><\/a>
\nLibor Pavera<\/em>
\nx-y<\/p>\n

Ve sv\u011bt\u011b \u201e\u010dlov\u011bka z l\u00e1grov\u00e9ho bar\u00e1ku\u201c (Geneze \u010cepovy Tv\u00e1\u0159e pod pavu\u010dinou<\/em> a Poln\u00ed tr\u00e1vy<\/em> za n\u011bmeck\u00e9 okupace) \u25cf In the World of \u201cThe Man from the Camp Barrack\u201d (The Genesis of \u010cep\u2019s A Face Beneath the Cobweb<\/em> and Field Grass<\/em> during the German Occupation)<\/strong><\/a>
\nPetr Komenda<\/em>
\nx-y<\/p>\n

Narativn\u00ed destabilizace a ontologick\u00e1 nejistota ve filmu Mu\u017e, ktor\u00fd lu\u017ee<\/em> \u25cf Narrative Destabilization and Ontological Uncertainty in the Film The Man Who Lies<\/em><\/strong><\/a>
\nAlexej Mikul\u00e1\u0161ek<\/em>
\nx-y<\/p>\n

Historick\u00fd triler Na smr\u0165 <\/em>a jeho miesto v \u017e\u00e1nrovej typol\u00f3gii tvorby Jozefa Kariku \u25cf The Historical Thriller To Death<\/em> and Its Place in the Genre Typology of Jozef Karika\u2019s Work<\/strong><\/a>
\nDominik Van\u010do<\/em>
\nx-y<\/p>\n

Language Specifics in Dante\u2019s Divine Comedy<\/em> and in Its Slovak Translations \u25cf Jazykov\u00e9 \u0161pecifik\u00e1 v Danteho Bo\u017eskej kom\u00e9dii<\/em> a v jej slovensk\u00fdch prekladoch<\/strong><\/a>
\nMonika \u0160avelov\u00e1<\/em>
\nx-y<\/p>\n

The Reflection of Turkish Raids in Slovak Renaissance and Baroque Poetry \u25cf Reflexia tureck\u00fdch n\u00e1jazdov v slovenskej renesan\u010dnej a barokovej po\u00e9zii<\/strong><\/a>
\nKrist\u00edna Pavlovi\u010dov\u00e1<\/em>
\nx-y<\/p>\n

\u201eProst\u0159ednictv\u00edm sv\u00fdch mont\u00e1\u017e\u00ed p\u0159edvolat p\u0159ed soud\u201c: znovunalezen\u00e9 obrazy holokaustu ve filmu \u25cf \u201cTo Summon Before the Court Through Their Montages\u201d: Rediscovered Holocaust Images in Film<\/strong><\/a>
\nKry\u0161tof Ko\u010dt\u00e1\u0159<\/em>
\nx-y<\/p>\n

Mezi imaginac\u00ed a obrazem: jak literatura a film p\u0159ibli\u017euj\u00ed druhou sv\u011btovou v\u00e1lku mlad\u00fdm \u010dten\u00e1\u0159\u016fm a div\u00e1k\u016fm \u25cf Between Imagination and Picture: How Literature and Film Bring the Second World War Closer to Young Readers and Viewers<\/strong><\/a>
\nBeata Kozie\u0142<\/em>
\nx-y<\/p>\n

Tmavomodr\u00ed jazdci<\/em> a Nebesk\u00ed letci<\/em>: filmov\u00e1 reprezent\u00e1cia vojnov\u00e9ho pilota ako m\u00fdtu a traumy v hran\u00fdch \/filmoch v \u010deskoslovenskom kontexte (rozh\u013eady) \u25cf Dark Blue Riders<\/em> and Riders in the Sky<\/em>: The Cinematic Representation of the Wartime Pilot as Myth and Trauma in Feature Films in the Czechoslovak Context (Outlook)<\/strong><\/a>
\nMarek Jani\u010d\u00edk<\/em>
\nx-y<\/p>\n

The Search for Home in Diasporic Literature: A Study of Crossing from Guangdong and Old Tongue (Outlook) \u25cf H\u013eadanie domova v diasporickej literat\u00fare: \u0161t\u00fadia diel Crossing from Guangdong a Old Tongue (rozh\u013eady)<\/strong><\/a>
\nKeiara deSouza<\/em>
\nx-y<\/p>\n

Vojna nie je iba vra\u017edenie na bojisku (rozh\u013eady) \u25cf War Is Not Just Killing on the Battlefield (Outlook)<\/strong><\/a>
\nMarta \u017dilkov\u00e1<\/em>
\nx-y<\/p>\n

Rozhovor s Marianou \u010cengel Sol\u010danskou (rozh\u013eady) \u25cf Interview with Mariana \u010cengel Sol\u010dansk\u00e1 (Outlook)<\/strong><\/a>
\nAnton Bal\u00e1\u017e<\/em>
\nx-y<\/p>\n

Ryb\u00e1rov\u00e1, Silvia. P\u00edsanie o dejin\u00e1ch v s\u00fa\u010dasnej franc\u00fazskej literat\u00fare: kontext(y), modality, v\u00fdzvy<\/em> (recenzia) \u25cf Ryb\u00e1rov\u00e1, Silvia. Writing about History in Contemporary French Literature: Context(s), Modalities, Challenges<\/em> (Review)<\/strong><\/a>
\nMirta Curkovic<\/em>
\nx-y<\/p>\n

Jazyk na rozhran\u00ed inform\u00e1cie a moci (recenzia) \u25cf Language at the Intersection of Information and Power (Review)<\/strong><\/a>
\nJ\u00e1n Gallik<\/em>
\nx-y<\/p>\n","protected":false},"excerpt":{"rendered":"

VIII. ro\u010dn\u00edk, 1. \u010d\u00edslo, 2026 \u2022 Volume VIII., Issue 1, 2026<\/p>\n","protected":false},"author":5,"featured_media":6988,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/6949"}],"collection":[{"href":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6949"}],"version-history":[{"count":12,"href":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/6949\/revisions"}],"predecessor-version":[{"id":7003,"href":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/6949\/revisions\/7003"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/media\/6988"}],"wp:attachment":[{"href":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stredoeuropskepohlady.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}